“I didn’t have any money so I made friends with the band, bought a tent and lived in their garden for ten weeks while I mixed the show.”
Click HERE to read the whole article.
“I didn’t have any money so I made friends with the band, bought a tent and lived in their garden for ten weeks while I mixed the show.”
Click HERE to read the whole article.
Lighting & Sound International
April 2010
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“Tony nominated sound designer Gareth Owen was given the job of shoe-horning the big rock and roll sound of Rolling Stone Ronnie Wood in to one of London’s smallest theatres...”
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Lighting & Sound International
December 2010
Theatrical Sound Design, Worldwide
“Hairspray takes to the road for the first time. We talked to Gareth Owen to find out more...”
Click HERE to read the whole article.
AudioMedia
June 2010
Press Quotes Magazine Articles
“PSNE caught the opening night of Woman in Black to explore how control of the drama’s 500+ sound effects has evolved from tape, through MiniDisc, to computer...”
Click HERE to read the whole article.
Pro Sound News
March 2010
“Gareth Owen is a major force in musicals’ sound design, with a monster CV and nominations for Tony and Olivier awards, in spite of being only 32 years old.” Paul Arditti reviews the sound of the first commercial production of Pippin in nearly forty years.
Click HERE to read the whole article.
Showcase, The Echo
January 2012
“LSi follows the simultaneous opening’s of Sister Act in both the UK on tour and in the National Theatre of Milan.”
Click HERE to read the whole article.
Lighting & Sound International
January 2012
“The decadent world of Fred Astaire and Ginger Rogers is bringing its sparkling Art Deco delights to audiences around the country in the first ever stage adaptation of the legendary 1935 film Top Hat.” TP talks to sound designer Gareth Owen...
Click HERE to read the whole article.
Total Production
September 2011